Versteeg Art Fabricators, LLC

About

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History

Versteeg Art Fabricators LLC was established by career fabricator, Peter Siebren Versteeg (27 May 1943 - 16 July 2021) in 1989.

VAF has produced large-scale sculptures for acclaimed artists, including Ronald Bladen, Louise Bourgeois, Nancy Graves, Red Grooms, Nancy Holt, Sol LeWitt, Alexander Liberman, Roy Lichtenstein, Clement Meadmore, Beverly Pepper, Charles O. Perry, Tony Rosenthal, Will Ryman, Miriam Schapiro, Tony Smith, Eric Staller, Tom Wesselman, and others.

In 1955, Peter immigrated from the Netherlands with his parents and three siblings to the Northeast United States. Although he had a passion for herpetology, he was encouraged by his pragmatic parents to pursue tool and die making. Peter's long career in sculpture began in Los Angeles working as an apprentice to artist Tom Holland after he eloped in L.A. with his wife for over 50 years, Louise Cenotti Versteeg.

Eventually returning to Connecticut to be closer to family, Peter applied his acquired skills to the field of art fabrication, working as head of layout for Lippincott, Inc., an internationally renowned studio in North Haven. Peter quickly evolved from rookie to overseeing significant projects by Robert Indiana, Claes Oldenburg, Louis Nevelson, and Lucas Samaras. In the late '70s, he returned to industrial manufacturing and became a CNC programmer for United Precision, where his interest in new technologies and computation grew.

In 1989, Peter founded New Haven Art Fabricators, fulfilling his vision of running a company capable of fabricating monumental sculpture while maintaining close and personal relationships with clients. One of VAF's initial collaborations was with Scott Burton, who entrusted “only Peter” to fabricate his essential and elegant work.

As time went on, NHAF evolved to become Versteeg Art Fabricators. Today, Peter's children, Siebren and Emily, carry on the family business. Siebren, an artist himself, is recognized by Vulture as a "chaotic but illuminating" pioneer of algorithmic generative art. His works have been featured in prestigious collections such as the Whitney Museum of American Art, the Hirshhorn Museum, and the Solomon R. Guggenheim Museum, among others. Emily, a Connecticut barred attorney, specializes in advanced legal research, contracts, and intellectual property. She also holds an MA in Digital Archives and Records Management.

VAF employs the expertise of Marcus Schaefer and Christopher DuBour. Marcus, a seasoned fabricator has over 25 years of experience working alongside Peter. He is a sculptor and has exhibited at Hygienic Art, City-Wide Open Studios, and the International Festival of Arts and Ideas, among others. Like Marcus, Emily’s husband, Christopher, was closely mentored by Peter for over 15 years. He possesses a wide range of skills, including jewelry-making, woodworking, blacksmithing, and building customized motorized bicycles. Christopher is actively involved with various makerspaces and DIY organizations throughout New England.

Large steel LOVE sculpture by Robert Indiana with those who worked on it standing or kneeling in front for a group photos. Peter Versteeg is pictured in front on the far right, kneeling with his hands clasped and a serious expression on his face.

Robert Indiana and the Lippincott crew stand in front of the finished LOVE, 1970. Front row, left to right: Indiana, Roxanne, Toad, Bob Sanford, Peter Versteeg. Back row, left to right: Bill Rascoe, Don, Frank Viglione, Eddie Giza, Joe Lesco, Bobby Giza.

 

Marcus Schaefer (VAF), Dave Petrie (T. Rosenthal Art LLC), Tristan French (VAF), Emily Versteeg (VAF), Christopher DuBour (VAF), Brenna Sastram (T. Rosenthal Art LLC), and Siebren Versteeg (VAF) at the unveiling of the newly restored Astor Place Cube, “Alamo,” at the Hamptons Fine Art Fair in July 2023.

 

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The LOVE sculpture was reinstalled today and looks incredible! Deepest thanks to the Versteeg team for the beautiful and thoughtful restoration.
— Joyce Lee, Manager of Fine Art & Valuables, Diversified Financial Management Corp.
I feel enormously grateful to have had Peter and now you all in my life, it’s a privilege that I take very seriously.
— Joe Gitterman, Artist
Peter’s invaluable contribution to the Ronald Bladen estate and legacy cannot be overstated.
— Loretta Howard Gallery
Thank you for believing in this project from the start. When I look at it I will always see the myriad contributions, decisions, and hands-on work from your team that made it all possible.
— Rachelle Dang, Artist

Peter Versteeg and artist Louise Nevelson working at Lippincott, Inc., 1974. Photo courtesy of Lippincott Book Design.

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